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Two dramaturgical lines of Czech play on the small stage of the theater "Divadlo na Vinohradech"
Tomanová, Kateřina ; Smrčka, Jiří (advisor) ; Kubíček, Tomáš (referee)
This thesis deals with two dramaturgical lines of Czech play on the small stage of the theater "Divadlo na Vinohradech". It aims to verify whether or not and, if so, how has the text of contemporary drama changed in comparison to the dramatic text of the period from the 1960s to the 1980s. The thesis does so on a sample of eleven plays put on under the current artistic management of the theatre (i.e. since the theatre season 2012/2013). The first part of the thesis focuses on the theoretical characterization of dramas typical for both of these observed periods and on the development of dramaturgy of the theater in relation to Czech drama. The second part of the thesis contains the analyses and the final comparison of dramatic texts. The dramas analysed in this thesis are Motýl na anténě (1963) by Václav Havel, Piknik (1964) by Ladislav Smoček, Kočka na kolejích (1965) by Josef Topol, Hodinový hoteliér (1969) by Pavel Landovský, Audience (1975) by Václav Havel, Pěnkava s Loutnou (1978) by Antonín Přidal, Zvěstování aneb Bedřichu, jsi anděl (1986) by Milan Uhde, Nikdy (2003) by Lenka Lagronová, Ulity (2011) by Magdalena Frydrych Gregorová, Na kamenném, kamenném poli (Job) (2011) by Tereza Verecká, and Za dveřmi (2017) by Barbora Hančilová. KEYWORDS Divadlo na Vinohradech, Dramaturgy, Contemporary...
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